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Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe in the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Film at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.

A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the belated ’70s and very very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be considered as existential stories, absurdist parables, or premonitions about modern society’s hostility plus the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literature through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been hardly ever seen outside of his indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental weather.

One of several biggest retrospectives of his work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The show showcases every one of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War for the Worlds: Next Century, a reimagining associated with the H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the residual survivors of a nuclear apocalypse because they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent for a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on modern Poland into the aftermath for the Communism Szulkin criticized throughout their profession. Furthermore, the retrospective will emphasize Szulkin’s film that is short, such as the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .

Presented in collaboration because of the Polish Cultural Institute ny.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center users. Save utilizing the purchase of three seats or maybe more.

Acknowledgments: Polish Cultural Institute Ny; Daniel Bird

FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 western Street that is 65th otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey in search of sexual satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal parts coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, the state, in addition to concept of the nuclear family members.

Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In a future where life in the world is becoming therefore wonderful that only prisoners are employed for the risky business of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for an apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he could be welcomed by the population being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s accordingly nonsensical title from the babble of their child child, Szulkin provides a bleakly acerbic commentary in the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts make an effort to produce an innovative new, flexible competition of people. a seemingly ordinary item of this effort, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, happens to be known as a precursor to Blade Runner , but its name also appears back once again to an even more ancient misconception of creation and morality.

Preceded by: brand brand New digital restoration The Gal therefore the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter because of the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New digital renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere considering Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute his or her own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from a musician whom devoted their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm

New electronic restoration O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They are spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to prevent total collapse. Employed in an expressionistically https://russian-brides.us grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable about the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

Brand brand brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts aided by the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) whilst the vocals of the 1984 -esque propaganda device. However when Iron dares to set off message, he makes an enemy also higher than the aliens: the continuing state it self. Released just like Poland was being plunged into martial legislation and instantly prohibited, The War of this Worlds: Next Century is a disturbingly prescient allegory of energy, control, and media manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm

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